![]() Designed to work when shooting ISO400, or ISO800 and above. Used to preview the transform on the P6K or external monitors. This is where everything and anything related to BlackMagic Design's Pocket Cinema Camera (BMPCC), Micro Cinema Camera (BMMCC), Pocket Cinema Camera 4K (BMPCC 4K), Pocket Cinema Camera 6K (BMPCC 6K) and Pocket Cinema Camera 6K Pro (BMPCC 6K Pro) will be posted. In-Camera/On-Set Rec709 LUTs: Same as above but created at x33 precision for compatibility. Post-Production Rec709 LUTs: The P6K BMDFilm to Alexa LogC conversion combined with the three Rec709 output LUTs above. ![]() For a comparison of all four scroll down. Standard, Wide Dynamic Range ( WDR), WDR Highlights and WDR Roll-Off. It won’t be an exact match to an Alexa, but can sometimes speed up image balancing.ĪRRI LogC2Video LUTs: The latest ARRI LogC to Rec709 LUT in four different curves. P6K to Alexa LogC ISO400 and ISO800 Balanced LUTs: Same as above, but the matrix has been adjusted to remove the typical Alexa green cast. These LUTs will require a Rec709 output conversion such as one of the ARRI LogC2Video LUTs below or any other LUT or Color Space Transform designed for ARRI LogC footage. This LUT allows you to transform the footage into Blackmagic P6K, emulating the Rec 709 color space of Arri. Then the LUT internally increases the exposure to match native ISO800 footage. Blackmagic Pocket Cinema Camera 6k to Arri 709. P6K2Alexa LUTs USD19.99 P6K2Alexa PowerGrade USD29.99 P6K2Alexa PowerGrade & LUTs USD39.99 Shoot with a BMPCC 4K Visit P4K2Alexa PowerGrade and LUTs. The latter allows you to decode BRAW ISO800 images as ISO400 to prevent excursions above 1.0 input. Two main versions, Input Scaled to work with data above 1.0 input, and Standard to work with software that doesn’t support the former feature. P6K to Alexa LogC ISO400 and ISO800 LUTs: Transform Blackmagic Design Pocket 6K Film Gen 4 to match the Alexa in it’s native LogC format. To find out why, read The Creation Process below. And it offers many benefits over using a LUT. This is the same method used by high-end post houses to match digital cameras. I then used this data to build a custom 3×3 matrix that accurately matches both cameras. On receiving the camera I proceeded to profile the sensor using the techniques I had previously used to profile the Alexa sensor and various film stocks. The idea was to have a smaller and lighter camera that would live on a gimbal. In November 2019 I purchased a BMPCC 6K to complement the ARRI Alexa I normally shoot with.
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